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Bacman raped me."This tacky, sexist sword-sorcery fantasy from producer Roger Corman was a ripped-off nude version of Conan the Barbarian (1982) with Arnold Schwarzenegger. The main attraction of these films were the female co-stars.Prolific Spanish sleaze-meister and writer/director Jesús Franco's adventure-action tale was an sexploitational 'jungle adventure' (and Tarzan rip-off)."Ericka: "She won't bother you no more." Carol: "Thank you." Ericka: (offering her own soap) "Try this. (She rubbed soap into Carol's upper chest) You're real sweet yourself.You oughta have somebody take care of you." Carol: "Please don't." Ericka: "Come on." Carol: (rebuffing more forcefully): "Please!Linda Blair who was nominated for a Razzie Award as Worst Actress of the year, while co-star Sybil Danning, nominated for Razzie's Worst Supporting Actress, won the award.Blair's next trashy exploitation film followed shortly thereafter - a vigilante revenge film titled told about innocent, virginal offender Carol Henderson (Linda Blair) who was sent to jail for 18 months for vehicular manslaughter.They were worshipped by kneeling native tribesmen, savage headhunters called the Moris, who henceforth worshipped her as a god, and him as a "Godfather" (he preferred to be called 'big chief').The tribe was led by a wild-haired, topless female leader Noba (Aline Mess), often doing ritualistic war-dances.
When Val left, she was approached by another inmate who stroked her hair and asked: "How ya doin', sweet thing? I ain't gonna hurt you." Then she was replaced by busty lead tough girl white inmate Ericka (Sybil Danning), who authoritatively commanded: "Beat it!Their relationship included a revealing, realistic bedroom love-making scene in which they both displayed frontal nudity - in gigantic closeup - as the camera panned downwards.He tentatively removed her slip, while she removed his jeans, and they stood naked together, kissing before making love in the bed.Many of the released versions of the film have since been heavily-censored, for violence and for some nudity.It followed the same stereotypes and predictability of Caged Heat (1974) and was part of a new wave of these types of films in the 80s - a combination of blaxploitation and sexploitation.