Icp the dating game video
I feel like Taylor Swift fumbling to craft the most perfectly affable @ to Nicki Minaj.But the guy who earns my first one is Sam, a 44-year-old security guard from Newark, Ohio, who tells us about how a huge line of people showed up Tuesday, the day before any official admission, and the Gathering personnel just let them in to start unpacking their campsite. All weekend, people wear cardboard signs that read things like “LSD ,” or “SHROOMS (THE LEGIT STUFF) ,” out in the open.That changed with “Miracles.” A song that went viral online last year after the band augmented it with a video, “Miracles” was ICP’s most overt admission of the belief in God they’d first revealed almost a decade earlier.It also stirred up a fresh wave of controversy by suggesting that everyday events like fog and rainbows shouldn’t be taken for granted.“Even if we were Christians, what’d be wrong with that? ”Violent J admits that ICP has probably mellowed, with both men now pushing 40 and with families and success as consolation.That, he says, makes the frequent criticism of the band less important than ever.“When we started rapping, we were broke as could be. “But for the last 20 years, there’s so much love around us from Juggalos that I can’t walk around being salty about everything, and think this world sucks, or this country sucks.“But number two, I think it’s sad that in today’s world, all you gotta do is say you believe in God, and people freak out on that. “At the end of the day,” he explains, “I was always taught by my mom, that the good people go to heaven, and the bad people go to hell.”That heaven-or-hell choice has run through ICP’s mythology for years, via its Dark Carnival and Joker’s Cards, which offer the band’s own conception of the afterlife.
We’ll cross that drug bridge when we come to it, I joke to no one.
I have never seen a Montana license plate until today.
We’re in the parking “lot” of Legend Valley, a grassy farmland in Thornville, Ohio, a road-heavy region replete with 30-cent wings on Tuesdays.
Although they were dumped by the Disney company, they went on to mainstream success.
And even after leaving Island/Polygram, which released hit albums like 1999’s “The Amazing Jeckel Brothers,” the band continued to serve its loyal, Faygo pop-swigging fan base into the new millennium through a series of independent releases, as well as the annual “Gathering of the Juggalos” festival.
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Their horrorcore hip-hop — pervaded by profanity and violent imagery — has been called degenerate, depraved and disgusting.